![]() |
![]() |
|
![]() |
HOME | MOVIES | QUOTE MARTIAL |
September 1, 1999
BILLBOARD
|
![]() 'I'm amazed people have actually seen Terrorist'
Rather unconventional looking in appearance, Ayesha is just as unconventional about what she wants to do in life -- which, right now, is divided between acting and working in her mother's corporate film-making company. At the moment, though, Ayesha is basking in the glow of Terrorist and Dev Benegal's Split Wide Open. And, as she told Kanchana Suggu, she is looking forward to the release of Hallmark's Arabian Nights.
What was it about Terrorist that prompted you to accept the role? Actually, there were two reasons why I did Terrorist. One, the story is very strong, quite unusual actually. Considering that the movie is intensely political, I must say we were very lucky we didn't get into any kind of trouble. And the second reason is Santosh himself. He is unlike any other director I have come across. He is so very particular about his script. His style is experimental. One simply cannot say no to him. Did you have any kind of expectations from the film? None at all!!! For me, only the script counts. While I was doing the film, I enjoyed it. I worked real hard. At the end of the day, that's all that's important to me. I did the movie thinking that nobody is going to see it anyway. Maybe it'll be shown on TV once. I'm amazed people have actually seen Terrorist. Did you undergo any physical training for Terrorist? Nothing in particular. Just a touch. But I did have certain problems. You know, I would be running through marshy ground and my feet would keep getting stuck because I would be carrying these machine guns, which were so very heavy. What was playing Malli really like? It was really an intense role. I had very little dialogue in the movie, so all emotions had to be expressed on the face and through the eyes. There were times when I wanted to scream, but I couldn't do that because it wouldn't be Malli. Malli is a very calm and brave person. Quite unlike me. I'm a real darpok. I hate pain. When we were shooting for the film, I broke my leg during a scene in which I had to pull a really heavy guy up. The doctors said I wouldn't be able to walk again. And Santosh was absolutely panic-stricken. Normally I would have screamed, but I guess Malli had some influence on me. I was brave. I was on painkillers for almost quarter of the film, but the shooting went on as scheduled. We actually completed the movie in 20 days.
I think I'd give myself a six on10. Are you currently doing any film with Santosh Sivan? Santosh has offered me three movies in the past three months. He is absolutely eccentric. I wonder how he keeps getting so many ideas. I cannot trust him until he says the shoot is tomorrow. What I really like about Santosh is that he looks into each detail so carefully. His style keeps varying from film to film. Terrorist was a slow film, but Halo was kind of fast. How different was it working with Dev Benegal? Dev is amazing. Each character is so finely drawn in his mind. He has some six or seven main characters in his film and he keeps juggling between them. He really approaches his film like an architect. Santosh and Dev are completely different from each other; what's common between them, though, is that they both know exactly what they want. What role does your director play in your performance? Oh, I'm absolutely what they call a director's actress. I believe that every character can be played in many different ways. I find it much better when my director tells me exactly what he expects from me. A good director, according to me, is not the one who tells you what to do on your face but the one who tells you what to do in your head. Attending all those film festivals must have been really great... The first one that I attended was the Toronto film festival. There were so many big directors with such great films there that I was left wondering whether anyone was going to see our film. But I was completely taken by surprise. People were clapping after seeing our film. We got standing ovations. It was all so strange. There were these long queues of people waiting to see our film. I must say we got a terrific reception. After the film was shown, we used to have these question-and -answer sessions where members of the audience could question the actors. The whole audience would stay for these sessions. They would ask us so many questions.... about the shoot, the story, etc. It was so sweet of them. I particularly remember this incident when I was in Paris. A man came to up me and he was crying. He told me that his brother was part of the IRA in Ireland. It was really frightening. I suddenly felt so close to Malli. The experience was spinechilling. These are the times when you really feel fulfilled as an actor.
Do you make enough money doing these kind of films? Is that why you signed Arabian Nights? I heard you had to take dancing lessons... Of the three movies you did recently, which one did you enjoy the most?
Did that make you experiment with different professions? That must have been when you made City Of Joy? What does all this fame really mean to you?
I know I don't have a very conventional face. When directors come to me with roles, I wonder, "Don't they want someone fair and tall for their movie?" But the fact that they offer these roles to me shows that they think I would suit the role. I've seen heroines so obsessed with their looks. They never tire applying make-up. I really can't handle all that. What does the future hold for you? I might do a film a year or no films a year. That really doesn't matter. Anyway, I have Arabian Nights releasing in August, 2000. I'm looking forward to that and a couple of other offers here and there... |
||||||
Do tell us what you think of this interview
|
|||||||
HOME |
NEWS |
BUSINESS |
SPORTS |
MOVIES |
CHAT |
INFOTECH |
TRAVEL
SHOPPING HOME | BOOK SHOP | MUSIC SHOP | HOTEL RESERVATIONS PERSONAL HOMEPAGES | FREE EMAIL | FEEDBACK |